Lo contrario al decir y los obstáculos del decir son dos acepciones que reúne la contradicción como contra-dicción. Ambas apuntan a dos aspectos de las cosas que no se hacen con palabras y las que se hacen sin ellas. Desde esta dualidad, el texto aborda el fenómeno del silenciamiento de las mujeres y de sus silencios en el marco de la contemporánea filosofía feminista del lenguaje. Con este fin, se analizarán las condiciones pragmáticas en contexto, tomando como referencia el escenario (...) fílmico de Twelve Angry Men, a partir de las herramientas conceptuales de la teoría de los actos de habla. (shrink)

The object of this text is to think about the alleged binarism between the ‘serious’ and ‘non-serious’ uses of language in J. L. Austin. The starting point is an examination of his controversial position against dichotomies, paying particular attention to the central role that verbal humor plays in his writings. Based on this, it will be expounded how humor takes shape in Austin's theoretical / practical project in the way it is used to undo and destabilize dichotomous oppositions, as well (...) as in its exemplary version, thus reinforcing his thesis that all saying is doing. In short, my proposal involves taking Austin's sense of humor seriously. From this perspective, that binarism hatches and a new reading emerges that contributes to clarify the complex interpretation of the Austinian work. (shrink)

Our step-signs on the Internet, housed in the large external memory of the Web, rediscover ourselves as narrative beings, but above all they reveal our desire to be narrated. In our Web narrative action, in our “Facebooking” living – that expands to our “tweeting” living, “blogging” or “googling” living –, we are leaving behind us traces of a “story of life”. As Cavarero argues, following Arendtian approaches, we entrust this story of life to another/other, who can tell us. The biographical (...) hope underlying our communicative exchanges via the web, will be studied in an attempt to account for the desire present in the current online narrative proliferation, that is, the desire to be narrated. (shrink)